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	<id>https://consumerrights.wiki/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Koji</id>
	<title>Consumer Rights Wiki - User contributions [en]</title>
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	<updated>2026-07-01T17:03:42Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://consumerrights.wiki/index.php?title=Splice&amp;diff=53883</id>
		<title>Splice</title>
		<link rel="alternate" type="text/html" href="https://consumerrights.wiki/index.php?title=Splice&amp;diff=53883"/>
		<updated>2026-05-17T20:16:20Z</updated>

		<summary type="html">&lt;p&gt;Koji: Addressing note about incidents and consumer impact data being mixed together. Moved &amp;quot;Sounds are licensed, not sold&amp;quot; as well as Automatic subscription renewals and cancellation difficulties to the appropriate section.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Cleanup|Issue 1 = Aspects of consumer impact and incidents sections appear to be mixed together.}}&lt;br /&gt;
{{CompanyCargo&lt;br /&gt;
|Founded=2013&lt;br /&gt;
|Industry=Music technology, Software, Digital media&lt;br /&gt;
|Type=Private&lt;br /&gt;
|Website=https://splice.com/&lt;br /&gt;
|Description=Cloud-based music creation platform offering a subscription sample library, plugin rent-to-own, and AI music tools.&lt;br /&gt;
|Logo=Splice.svg&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;{{Wplink|Splice (platform)|Splice}}&#039;&#039;&#039; is an American cloud-based music creation platform founded in 2013 by Matt Aimonetti and Steve Martocci. Its primary service, Splice Sounds, is a subscription-based marketplace offering royalty-free audio samples, loops, and presets for music producers. The platform also operates a rent-to-own scheme for music software plugins and previously offered a free cloud-based collaboration feature called Studio. Splice has raised over $150 million in venture capital funding and was valued at approximately $500 million as of 2021.{{Citation needed|reason=Do not use Wikipedia as its own citation.}}&lt;br /&gt;
&lt;br /&gt;
Splice has attracted criticism for several anti-consumer practices, including a subscription-locked credit system that causes users to forfeit accumulated paid credits upon cancellation, an internet-dependent [[digital rights management|digital-rights management (DRM)]] requirement on rented plugins, the abrupt discontinuation of its founding collaboration feature, and the use of a [[DMCA|Digital Millennium Copyright Act (DMCA)]] copyright strike to suppress a consumer-facing review of its own terms of service.&lt;br /&gt;
&lt;br /&gt;
==Consumer impact summary==&lt;br /&gt;
&lt;br /&gt;
===Credit forfeiture upon subscription cancellation===&lt;br /&gt;
Splice Sounds subscriptions grant users a monthly allocation of credits, which are spent to download individual audio samples. According to Splice&#039;s own support documentation, unused credits expire 28 days after the end of a subscriber&#039;s final billing period.&amp;lt;ref name=&amp;quot;splice-cancel-credits&amp;quot;&amp;gt;{{cite web |title=If I cancel my subscription, do I lose my samples and credits? |url=https://support.splice.com/en/articles/8652638-if-i-cancel-my-subscription-do-i-lose-my-samples-and-credits |website=Splice Help Center |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Users who have accumulated large credit balances over months or years of paid subscription therefore face a choice between continuing to pay indefinitely or forfeiting the monetary value of those accumulated credits.&lt;br /&gt;
&lt;br /&gt;
This issue has generated a substantial volume of consumer complaints. The {{Wplink|Better Business Bureau}} (BBB) has documented multiple complaints from users who reported losing significant credit balances upon cancellation or after financial hardship prevented timely payment.&amp;lt;ref name=&amp;quot;bbb&amp;quot;&amp;gt;{{cite web |title=Splice complaints |url=https://www.bbb.org/us/ny/new-york/profile/music-distribution-companies/splice-0121-170420/complaints |website=Better Business Bureau |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; One documented complaint describes a user whose account was cancelled after two months of missed payments due to job loss, resulting in the complete loss of their credit balance as well as access to previously rented software plugins.&amp;lt;ref name=&amp;quot;bbb&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Splice&#039;s terms of service state that virtual items and in-app consumables are &amp;quot;final and non-refundable&amp;quot;, and that users &amp;quot;will not receive any refund or compensation for unused Virtual Items&amp;quot; when their account is suspended or terminated for any reason.&amp;lt;ref name=&amp;quot;splice-tos&amp;quot;&amp;gt;{{cite web |title=Terms of Use |url=https://splice.com/terms |website=Splice |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Rent-to-own plugin DRM and internet dependency===&lt;br /&gt;
Splice offers a rent-to-own (RTO) scheme for music production software plugins, under which users pay a recurring monthly fee until the full purchase price of a plugin is reached. However, until full payment is made, plugins licensed through this scheme require an active internet connection and a running Splice desktop client to function.&lt;br /&gt;
&lt;br /&gt;
The Splice client deposits a temporary licence file on the user&#039;s computer, which the plugin reads to verify the licence. This file expires if the Splice client is not run and authenticated approximately every three days.&amp;lt;ref name=&amp;quot;xfer-forum&amp;quot;&amp;gt;{{cite web |title=Help!! Rent-To-Own Issues |url=https://xferrecords.com/forums/general/help-rent-to-own-issues |website=XferRecords.com Forums |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Users have reported plugin failures at live performances and recording sessions due to expired licence files or connectivity issues.&amp;lt;ref name=&amp;quot;xfer-forum&amp;quot; /&amp;gt; The internet dependency is removed only once the plugin&#039;s full purchase price has been paid in its entirety.&lt;br /&gt;
&lt;br /&gt;
After cancelling a subscription, users also lose the ability to load new tracks using premium Splice Instrument presets, and cannot re-download that content if it is deleted from their system.&amp;lt;ref name=&amp;quot;splice-cancel-plan&amp;quot;&amp;gt;{{cite web |title=How do I cancel my Splice plan? |url=https://support.splice.com/en/articles/8652611-how-do-i-cancel-my-splice-plan |website=Splice Help Center |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===&amp;quot;Sounds are licensed, not sold&amp;quot;===&lt;br /&gt;
Splice&#039;s terms of service explicitly state that &amp;quot;sounds are licensed, not sold, to you.&amp;quot;&amp;lt;ref name=&amp;quot;splice-tos&amp;quot; /&amp;gt; While Splice grants users a perpetual right to use downloaded sounds within completed musical works, the licence is non-exclusive and non-transferable. The app licence itself is described in Splice&#039;s terms as &amp;quot;limited, non-exclusive, non-transferable, non-sublicensable, [and] revocable.&amp;quot;&amp;lt;ref name=&amp;quot;splice-tos&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The terms additionally allow Splice to &amp;quot;manage, regulate, change, or remove Virtual Items at any time at our sole discretion,&amp;quot; and grant Splice the unilateral right to assign these terms without user consent.&amp;lt;ref name=&amp;quot;splice-tos&amp;quot; /&amp;gt; This structure means users hold no ownership over the credits or digital goods they purchase, and limits their recourse in the event that Splice alters terms, removes content, or terminates accounts.&lt;br /&gt;
&lt;br /&gt;
===Automatic subscription renewals and cancellation difficulties===&lt;br /&gt;
The BBB has documented multiple complaints involving [[Negative option marketing|automatic billing following free trial periods]], with users stating they did not receive clear notification of the transition to a paid subscription.&amp;lt;ref name=&amp;quot;bbb&amp;quot; /&amp;gt; Several complaints describe difficulty cancelling due to inconsistent account states across devices, where the web interface and desktop application displayed conflicting subscription information simultaneously.&amp;lt;ref name=&amp;quot;bbb&amp;quot; /&amp;gt; Splice does not offer telephone support for billing disputes.&amp;lt;ref name=&amp;quot;donotpay&amp;quot;&amp;gt;{{cite web |title=How to Cancel Splice Subscription |url=https://donotpay.com/learn/how-to-cancel-splice-subscription/ |access-date=2026-05-16 |website=DoNotPay}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Incidents==&lt;br /&gt;
This is a list of all consumer-protection incidents this company is involved in. Any incidents not mentioned here can be found in the [[:Category:{{FULLPAGENAME}}|{{PAGENAME}} category]].&lt;br /&gt;
&lt;br /&gt;
===Discontinuation of Splice Studio===&lt;br /&gt;
When Splice launched in 2013–2014, its central offering was Studio, a free cloud-based collaboration and project backup tool that integrated with popular [[digital audio workstation|digital audio workstation (DAW)]] software including Ableton Live, Logic Pro X, FL Studio, GarageBand, and Studio One. Users relied on Studio to maintain version histories of projects, share files with collaborators, and keep cloud backups of their work.&lt;br /&gt;
&lt;br /&gt;
In March 2023, CEO Kakul Srivastava announced that Studio would be shut down, stating that &amp;quot;this feature hasn&#039;t been a focus for us since 2017.&amp;quot;&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot;&amp;gt;{{cite web |last=Srivastava |first=Kakul |title=Our journey to make Splice better: A letter from our CEO |url=https://splice.com/blog/studio-shutdown/ |website=Splice Blog |date=2023-03-09 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; The feature was closed in stages, with final removal of project sync occurring in June 2023, giving users approximately two to three months to retrieve stored project files.&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot; /&amp;gt; No data export tooling or migration support was provided.&lt;br /&gt;
&lt;br /&gt;
Srivastava stated that &amp;quot;keeping it functional has actually slowed us down from delivering more value, faster.&amp;quot;&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot; /&amp;gt; The platform subsequently directed development resources toward the Splice Sounds marketplace and the rent-to-own plugin business, both of which generate subscription revenue, unlike the free Studio feature. Community responses described the situation as a loss of stored creative work, with users who had built long-term collaborative workflows around Studio left without access to their archived projects after the shutdown.&amp;lt;ref name=&amp;quot;syncmuse&amp;quot;&amp;gt;{{cite web |title=Splice Studio Alternative |url=https://syncmuse.co/splice-studio-alternative |website=SyncMuse |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===DMCA copyright strike against terms-of-service reviewer (&#039;&#039;2024&#039;&#039;)===&lt;br /&gt;
In July 2024, entertainment attorney Miss Krystle, who operates the &#039;&#039;Top Music Attorney&#039;&#039; YouTube channel, published a video analysing Splice&#039;s terms of service as part of an ongoing series reviewing the contracts of music industry platforms.&amp;lt;ref name=&amp;quot;techdirt&amp;quot;&amp;gt;{{cite web |last=Geigner |first=Timothy |title=Sample Library Company Copyright Strikes YouTuber Over Showing Their ToS |url=https://www.techdirt.com/2024/07/18/sample-library-company-copyright-strikes-youtuber-over-showing-their-tos/ |website=Techdirt |date=2024-07-18 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Following the publication, Splice&#039;s legal department issued a cease-and-desist letter. Miss Krystle participated in a telephone call with Splice&#039;s legal team, which she stated concluded with Splice agreeing to update its terms to address the issues she had identified.&amp;lt;ref name=&amp;quot;techdirt&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The following day, her YouTube channel received a DMCA copyright strike from Splice, asserting that her on-screen display of Splice&#039;s own terms of service text constituted copyright infringement.&amp;lt;ref name=&amp;quot;techdirt&amp;quot; /&amp;gt; A YouTube channel receives a permanent ban upon accumulating three copyright strikes within 90 days.&lt;br /&gt;
&lt;br /&gt;
The incident received coverage from Techdirt and MusicTech, among other outlets.&amp;lt;ref name=&amp;quot;techdirt&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;musictech&amp;quot;&amp;gt;{{cite web |title=Splice responds to Top Music Attorney copyright strike: &amp;quot;We fundamentally support the rights of creators to express themselves&amp;quot; |url=https://musictech.com/news/music/splice-issues-copyright-strike-to-content-creator-internet-reacts |website=MusicTech |date=2024-07-17 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Consumer rights advocate Louis Rossmann also covered the event.&amp;lt;ref name=&amp;quot;rossmann&amp;quot;&amp;gt;{{cite web |title=Louis Rossmann Reacted To My Copyright Strike From Splice |url=https://management7.podbean.com/e/louis-rossmann-reacted-to-my-copyright-strike-from-splice |website=Top Music Attorney Podcast |date=2024-08-02 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Splice subsequently removed the copyright strike and issued a statement that it &amp;quot;fundamentally supports the rights of creators to express themselves.&amp;quot;&amp;lt;ref name=&amp;quot;musictech&amp;quot; /&amp;gt; The incident drew additional public scrutiny to Splice&#039;s contractual terms, including provisions on credit retention upon account termination and the scope of rights users grant to Splice over their own uploaded audio content.&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Enshittification]]&lt;br /&gt;
*[[Dark pattern]]&lt;br /&gt;
*[[Digital rights management]]&lt;br /&gt;
*[[Negative option marketing]]&lt;br /&gt;
*[[Click-to-cancel]]&lt;br /&gt;
*[[End-user license agreement]]&lt;br /&gt;
*[[DMCA]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:{{PAGENAME}}]]&lt;br /&gt;
[[Category:Companies]]&lt;br /&gt;
[[Category:Digital rights management]]&lt;br /&gt;
[[Category:Enshittification]]&lt;/div&gt;</summary>
		<author><name>Koji</name></author>
	</entry>
	<entry>
		<id>https://consumerrights.wiki/index.php?title=User:Koji&amp;diff=53809</id>
		<title>User:Koji</title>
		<link rel="alternate" type="text/html" href="https://consumerrights.wiki/index.php?title=User:Koji&amp;diff=53809"/>
		<updated>2026-05-16T23:41:32Z</updated>

		<summary type="html">&lt;p&gt;Koji: contributions&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==About me==&lt;br /&gt;
Koji here. I&#039;m on the Consumer Rights Wiki because I care about pushing back against consumer exploitation. Outside of that, my interests are music production, programming, and homelabbing.&lt;br /&gt;
&lt;br /&gt;
==Why I&#039;m here==&lt;br /&gt;
Music production software is one of the more predatory consumer spaces I know of, and it gets away with it because the harm is invisible to anyone outside the craft.&lt;br /&gt;
&lt;br /&gt;
The mechanism is simple. Most modern music software is sold as [[Software as a service|a service]] rather than owned outright. Project files reference specific plugins, and those plugins have to be present, authenticated where required, and version-compatible the moment a session is opened. So an artist&#039;s back catalogue — sessions they may need to reopen years later for a remix, a remaster, a sync licence, or a stem delivery — stays tied to whichever companies they were renting from at the time. A lapsed subscription doesn&#039;t just block new work; it can lock you out of old work the next time the OS, DAW, or hardware moves on. The [[Waves Update Plan]] is one documented example.&lt;br /&gt;
&lt;br /&gt;
The industry knows this. The leverage is the product.&lt;br /&gt;
&lt;br /&gt;
Documenting it is the least I can do as someone on the receiving end.&lt;br /&gt;
&lt;br /&gt;
== Articles I&#039;ve contributed to ==&lt;br /&gt;
&lt;br /&gt;
* [[Waves Update Plan]] — annual paid maintenance plan whose lapse freezes plugins at their last installed version, leaving future OS, DAW, and CPU compatibility gated behind renewal; also covers the 2023 Creative Access subscription-only attempt and reversal. &lt;br /&gt;
* [[Splice]] — cloud sample marketplace and rent-to-own plugin platform; covers credit forfeiture on cancellation, internet-dependent DRM on rented plugins, the 2023 Studio shutdown, and the 2024 DMCA strike against a terms-of-service review.&lt;br /&gt;
&lt;br /&gt;
==Interests on this wiki==&lt;br /&gt;
&lt;br /&gt;
*[[:Category:Software|Software]] — particularly music production tools, plugins, and sample marketplaces&lt;br /&gt;
*[[Digital rights management]] and authentication systems that gate access to already-purchased work&lt;br /&gt;
*[[Software as a service]] and the shift from ownership to rental&lt;br /&gt;
*[[Software bricking]] and [[Software-gating]]&lt;br /&gt;
*[[:Category:Lifetime license removal|Lifetime licence removal]]&lt;/div&gt;</summary>
		<author><name>Koji</name></author>
	</entry>
	<entry>
		<id>https://consumerrights.wiki/index.php?title=User:Koji&amp;diff=53808</id>
		<title>User:Koji</title>
		<link rel="alternate" type="text/html" href="https://consumerrights.wiki/index.php?title=User:Koji&amp;diff=53808"/>
		<updated>2026-05-16T23:33:04Z</updated>

		<summary type="html">&lt;p&gt;Koji: profile init&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== About me ==&lt;br /&gt;
Koji here. I&#039;m on the Consumer Rights Wiki because I care about pushing back against consumer exploitation. Outside of that, my interests are music production, programming, and homelabbing.&lt;br /&gt;
&lt;br /&gt;
== Why I&#039;m here ==&lt;br /&gt;
Music production software is one of the more predatory consumer spaces I know of, and it gets away with it because the harm is invisible to anyone outside the craft.&lt;br /&gt;
&lt;br /&gt;
The mechanism is simple. Most modern music software is sold as [[Software as a service|a service]] rather than owned outright. Project files reference specific plugins, and those plugins have to be present, authenticated where required, and version-compatible the moment a session is opened. So an artist&#039;s back catalogue — sessions they may need to reopen years later for a remix, a remaster, a sync licence, or a stem delivery — stays tied to whichever companies they were renting from at the time. A lapsed subscription doesn&#039;t just block new work; it can lock you out of old work the next time the OS, DAW, or hardware moves on. The [[Waves Update Plan]] is one documented example.&lt;br /&gt;
&lt;br /&gt;
The industry knows this. The leverage is the product.&lt;br /&gt;
&lt;br /&gt;
Documenting it is the least I can do as someone on the receiving end.&lt;br /&gt;
&lt;br /&gt;
== Interests on this wiki ==&lt;br /&gt;
&lt;br /&gt;
* [[:Category:Software|Software]] — particularly music production tools, plugins, and sample marketplaces&lt;br /&gt;
* [[Digital rights management]] and authentication systems that gate access to already-purchased work&lt;br /&gt;
* [[Software as a service]] and the shift from ownership to rental&lt;br /&gt;
* [[Software bricking]] and [[Software-gating]]&lt;br /&gt;
* [[:Category:Lifetime license removal|Lifetime licence removal]]&lt;/div&gt;</summary>
		<author><name>Koji</name></author>
	</entry>
	<entry>
		<id>https://consumerrights.wiki/index.php?title=Waves_Update_Plan&amp;diff=53801</id>
		<title>Waves Update Plan</title>
		<link rel="alternate" type="text/html" href="https://consumerrights.wiki/index.php?title=Waves_Update_Plan&amp;diff=53801"/>
		<updated>2026-05-16T21:31:00Z</updated>

		<summary type="html">&lt;p&gt;Koji: Add Waves Update Plan article documenting Waves Audio&amp;#039;s paid update model and the 2023 Creative Access perpetual-license revocation attempt&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{ProductCargo&lt;br /&gt;
|Company=Waves Audio&lt;br /&gt;
|ProductLine=Waves Update Plan&lt;br /&gt;
|ReleaseYear=1992&lt;br /&gt;
|InProduction=Yes&lt;br /&gt;
|ArticleType=Service&lt;br /&gt;
|Category=Software licensing, Subscription-based services, Audio Plugins&lt;br /&gt;
|Website=https://www.waves.com/&lt;br /&gt;
|Description=Annual paid maintenance plan that gates updates, second licenses, and license transfers for Waves Audio&#039;s perpetually-licensed plugins.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;&#039;Waves Update Plan&#039;&#039;&#039; (WUP) is an annual paid maintenance plan offered by [[wikipedia:Waves Audio|Waves Audio]] for its perpetually-licensed audio plugins, bundles, and applications.&amp;lt;ref name=&amp;quot;waves_wup&amp;quot;&amp;gt;{{cite web |title=Waves Update Plan |url=https://www.waves.com/support/waves-update-plan |website=Waves Audio |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20260413101922/https://www.waves.com/support/waves-update-plan |archive-date=13 April 2026}}&amp;lt;/ref&amp;gt; Each new product purchase includes one year of WUP coverage; after that, the plan must be renewed annually for the user to receive plugin updates, second licenses, new plugins added to covered bundles, and other plan benefits.&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt; Waves states that the annual cost per account ranges from $12 to $240 for owners of one copy of each product, and can exceed $240 for accounts holding multiple copies of the same product.&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Plugins remain authorised after WUP coverage lapses and continue to run at their last installed version.&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt; Users without active coverage do not receive further updates, including compatibility patches for new operating systems, processor architectures, or [[wikipedia:Digital audio workstation|digital audio workstations]] (DAWs).&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;cdm&amp;quot;&amp;gt;{{cite web |last=Kirn |first=Peter |date=27 March 2023 |title=Waves goes subscription-only; upgrade plan renewals to end |url=https://cdm.link/waves-goes-subscription/ |website=CDM Create Digital Music |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20251007153306/https://cdm.link/waves-goes-subscription/ |archive-date=7 October 2025}}&amp;lt;/ref&amp;gt; The plan has been a recurring source of consumer-protection criticism, most prominently in March 2023, when Waves briefly attempted to retire WUP and discontinue perpetual licenses in favour of a subscription-only model before reversing the change within three days.&amp;lt;ref name=&amp;quot;musicradar_uproar&amp;quot;&amp;gt;{{cite news |last=Mullen |first=Matt |date=29 March 2023 |title=Waves Audio customers are in uproar at company&#039;s new subscription-only model |url=https://www.musicradar.com/news/waves-plugin-subscription-service-uproar |work=MusicRadar |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20260216143849/https://www.musicradar.com/news/waves-plugin-subscription-service-uproar |archive-date=16 February 2026}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;musicradar_reversal&amp;quot;&amp;gt;{{cite news |last=Mullen |first=Matt |date=29 March 2023 |title=Waves Audio reverses its decision to adopt subscription-only model |url=https://www.musicradar.com/news/wave-audio-backtrack-subscription |work=MusicRadar |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20251209025231/https://www.musicradar.com/news/wave-audio-backtrack-subscription |archive-date=9 December 2025}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Consumer-impact summary==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;User freedom&#039;&#039;&#039;: Once a WUP lapses, the affected plugins are frozen at their last installed version.&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt; Audio plugins depend on the surrounding operating system, host DAW, and CPU architecture; a major OS or DAW update can render an un-updated plugin unusable, with renewed WUP coverage required to restore compatibility.&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;cdm&amp;quot; /&amp;gt;&lt;br /&gt;
* &#039;&#039;&#039;Business model&#039;&#039;&#039;: WUP is a recurring per-account fee scaled to the size and original price of the user&#039;s plugin catalogue, rather than a fixed per-update charge.&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt; Industry commentary has placed the plan between paid-upgrade and [[Subscription service|subscription]] models, since long-term use of a perpetual license can depend on ongoing WUP renewals.&amp;lt;ref name=&amp;quot;cdm&amp;quot; /&amp;gt;&lt;br /&gt;
* &#039;&#039;&#039;Market control / resale&#039;&#039;&#039;: Waves&#039; transfer-of-ownership policy requires that any plugin or bundle license be covered by an active WUP at the time of transfer, in addition to a separate transfer fee based on the product&#039;s list price.&amp;lt;ref name=&amp;quot;waves_transfer&amp;quot;&amp;gt;{{cite web |title=How to Transfer License Ownership |url=https://www.waves.com/support/transfer-of-ownership |website=Waves Audio |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20251215152706/https://www.waves.com/support/transfer-of-ownership |archive-date=15 December 2025}}&amp;lt;/ref&amp;gt; Combined, these requirements raise the floor below which a second-hand sale becomes uneconomic for the seller.&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;waves_transfer&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Incidents==&lt;br /&gt;
&lt;br /&gt;
===2023 Creative Access subscription-only transition and reversal===&lt;br /&gt;
&lt;br /&gt;
On 26 March 2023, Waves announced that it would discontinue perpetual licenses and the Waves Update Plan, moving all plugin access to a new subscription service called Waves Creative Access.&amp;lt;ref name=&amp;quot;musictech_announce&amp;quot;&amp;gt;{{cite news |date=27 March 2023 |title=Waves shifts to subscription-only model with two plans, halting sales of individual plugins |url=https://musictech.com/news/gear/waves-subscription-only-model/ |work=MusicTech |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20250724123643/https://musictech.com/news/gear/waves-subscription-only-model/ |archive-date=24 July 2025}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;forum_announce&amp;quot;&amp;gt;{{cite web |author=Waves Audio |date=26 March 2023 |title=Introducing Waves Creative Access |url=https://forum.waves.com/t/introducing-waves-creative-access/6850 |website=Waves Community Forum |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20250718051556/https://forum.waves.com/t/introducing-waves-creative-access/6850 |archive-date=18 July 2025}}&amp;lt;/ref&amp;gt; The two tiers were Waves Essential at $14.99 per month (110 plugins) and Waves Ultimate at $24.99 per month (220+ plugins).&amp;lt;ref name=&amp;quot;musictech_announce&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;pe_explainer&amp;quot;&amp;gt;{{cite web |author=Production Expert |date=26 March 2023 |title=Waves New Subscription Only Plans - Everything You Need To Know |url=https://www.production-expert.com/production-expert-1/waves-new-subscription-only-plans-everything-you-need-to-know |website=Production Expert |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20240408133806/https://www.production-expert.com/production-expert-1/waves-new-subscription-only-plans-everything-you-need-to-know |archive-date=8 April 2024}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Existing perpetual-license holders were told they would retain access to the latest plugin version they had already installed, but that no further updates or WUP renewals would be available to them outside the subscription.&amp;lt;ref name=&amp;quot;musictech_announce&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;pe_explainer&amp;quot; /&amp;gt; In a statement to Production Expert, Waves said Creative Access would be &amp;quot;the exclusive way to get Waves plugins&amp;quot; and confirmed that perpetual licenses would no longer be sold.&amp;lt;ref name=&amp;quot;pe_explainer&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The announcement drew widespread criticism from existing customers, who objected that the change cut off previously-purchased plugins from future operating system and DAW compatibility, and that it was announced without prior notice.&amp;lt;ref name=&amp;quot;musicradar_uproar&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;cdm&amp;quot; /&amp;gt; A petition titled &amp;quot;#Wavesgoodbye&amp;quot; was launched on Change.org calling for Waves to reinstate the WUP for perpetual-license holders; it gathered more than 1,900 supporters.&amp;lt;ref name=&amp;quot;petition&amp;quot;&amp;gt;{{cite web |last=Foster |first=Matt |date=March 2023 |title=#Wavesgoodbye |url=https://www.change.org/p/wavesgoodbye |website=Change.org |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20230327130939/https://www.change.org/p/wavesgoodbye |archive-date=27 March 2023}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
On 29 March 2023, three days after the original announcement, Waves co-founder and CTO Meir Shashoua published a statement reversing the decision and reinstating both perpetual licenses and the WUP alongside the new subscription.&amp;lt;ref name=&amp;quot;musicradar_reversal&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;sonicstate&amp;quot;&amp;gt;{{cite news |author=Sonicstate |date=29 March 2023 |title=Waves Backtracks On Subscription-Only Model |url=https://sonicstate.com/news/2023/03/29/-waves-backtracks/ |work=Sonic State |access-date=16 May 2026 |archive-url=https://web.archive.org/web/20230329172259/https://sonicstate.com/news/2023/03/29/-waves-backtracks/ |archive-date=29 March 2023}}&amp;lt;/ref&amp;gt; Shashoua wrote that the company&#039;s earlier move had been &amp;quot;sudden and disruptive, and did not sufficiently take into consideration&amp;quot; the preferences of existing users.&amp;lt;ref name=&amp;quot;sonicstate&amp;quot; /&amp;gt; As of May 2026, perpetual licenses with optional WUP coverage and Creative Access subscriptions are offered side-by-side.&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
MusicRadar reported that the majority of negative responses to the announcement focused on the company&#039;s decision to &amp;quot;prevent existing users from updating their software.&amp;quot;&amp;lt;ref name=&amp;quot;musicradar_uproar&amp;quot; /&amp;gt; CDM Create Digital Music observed that existing users with both a license and a WUP appeared to start &amp;quot;at zero the same as other subscribers&amp;quot; under the new model.&amp;lt;ref name=&amp;quot;cdm&amp;quot; /&amp;gt; The announced policy shares characteristics with [[Post-purchase EULA modification|post-purchase EULA modification]], specifically the &amp;quot;Revoking perpetual license&amp;quot; pattern documented elsewhere on the wiki, since the conditions under which existing plugins had been sold were materially altered after sale.&lt;br /&gt;
&lt;br /&gt;
===License transfer requires active WUP===&lt;br /&gt;
&lt;br /&gt;
Waves&#039; transfer-of-ownership policy requires that any plugin or bundle license being moved to another Waves account be covered by an active WUP at the time of transfer.&amp;lt;ref name=&amp;quot;waves_transfer&amp;quot; /&amp;gt; A separate transfer fee, which Waves describes as based on the product&#039;s list price, also applies.&amp;lt;ref name=&amp;quot;waves_transfer&amp;quot; /&amp;gt; Because the WUP renewal cost scales with the original product price, the combined cost of renewing a lapsed WUP and paying the transfer fee affects the practical resale value of expired-WUP licenses,&amp;lt;ref name=&amp;quot;waves_wup&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;waves_transfer&amp;quot; /&amp;gt; a friction point relevant to the [[First-sale doctrine|first-sale doctrine]] as applied to perpetually-licensed software.&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
&lt;br /&gt;
* [[Waves Audio]]&lt;br /&gt;
* [[Post-purchase EULA modification]]&lt;br /&gt;
* [[Feature ransom]]&lt;br /&gt;
* [[Subscription service]]&lt;br /&gt;
* [[Right to own]]&lt;br /&gt;
* [[First-sale doctrine]]&lt;br /&gt;
* [[TeamViewer terminates perpetual licenses]]&lt;br /&gt;
* [[List of products and services with post-purchase license change]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:{{PAGENAME}}]]&lt;br /&gt;
[[Category:Services]]&lt;br /&gt;
[[Category:Subscription-based services]]&lt;br /&gt;
[[Category:Software licensing]]&lt;br /&gt;
[[Category:Lifetime license removal]]&lt;br /&gt;
[[Category:2023 incidents]]&lt;/div&gt;</summary>
		<author><name>Koji</name></author>
	</entry>
	<entry>
		<id>https://consumerrights.wiki/index.php?title=Waves_Update_Plan&amp;diff=53800</id>
		<title>Waves Update Plan</title>
		<link rel="alternate" type="text/html" href="https://consumerrights.wiki/index.php?title=Waves_Update_Plan&amp;diff=53800"/>
		<updated>2026-05-16T21:23:50Z</updated>

		<summary type="html">&lt;p&gt;Koji: It needs to be a one liner sort of like a commit message4:05 PMClaude responded: Add Waves Update Plan article documenting Waves Audio&amp;#039;s paid update model and the 2023 Creative Access perpetual-license revocation attemptAdd Waves Update Plan article documenting Waves Audio&amp;#039;s paid update model and the 2023 Creative Access perpetual-license revocation attempt&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{ProductCargo&lt;br /&gt;
|Company=Waves Audio&lt;br /&gt;
|ProductLine=Waves Update Plan&lt;br /&gt;
|ReleaseYear=1992&lt;br /&gt;
|InProduction=Yes&lt;br /&gt;
|ArticleType=Service&lt;br /&gt;
|Category=Software licensing, Subscription-based services, Audio Plugins&lt;br /&gt;
|Website=https://www.waves.com/&lt;br /&gt;
|Description=Annual paid maintenance plan that gates updates, second licenses, and license transfers for Waves Audio&#039;s perpetually-licensed plugins.&lt;br /&gt;
}}&lt;br /&gt;
{{Ph-C-Int}}&lt;br /&gt;
&lt;br /&gt;
==Consumer-impact summary==&lt;br /&gt;
{{Ph-C-CIS}}&lt;br /&gt;
&lt;br /&gt;
==Incidents==&lt;br /&gt;
{{Ph-C-Inc}}&lt;br /&gt;
This is a list of all consumer-protection incidents related to this product. Any incidents not mentioned here can be found in the [[:Category:{{PAGENAME}}|{{PAGENAME}} category]].&lt;br /&gt;
&lt;br /&gt;
===Example incident one (&#039;&#039;date&#039;&#039;)===&lt;br /&gt;
{{Main|link to the main CR Wiki article}}&lt;br /&gt;
Short summary of the incident (could be the same as the summary preceding the article).&lt;br /&gt;
===Example incident two (&#039;&#039;date&#039;&#039;)===&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
{{Ph-C-SA}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:{{PAGENAME}}]]&lt;/div&gt;</summary>
		<author><name>Koji</name></author>
	</entry>
	<entry>
		<id>https://consumerrights.wiki/index.php?title=Splice&amp;diff=53798</id>
		<title>Splice</title>
		<link rel="alternate" type="text/html" href="https://consumerrights.wiki/index.php?title=Splice&amp;diff=53798"/>
		<updated>2026-05-16T20:04:57Z</updated>

		<summary type="html">&lt;p&gt;Koji: S̶u̶b̶s̶c̶r̶i̶p̶t̶i̶o̶n̶ ̶t̶r̶a̶p̶  &amp;gt; Negative option marketing; Adjusting reference to link to existing article with proper terminology.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CompanyCargo&lt;br /&gt;
|Founded=2013&lt;br /&gt;
|Industry=Music technology, Software, Digital media&lt;br /&gt;
|Type=Private&lt;br /&gt;
|Website=https://splice.com/&lt;br /&gt;
|Description=Cloud-based music creation platform offering a subscription sample library, plugin rent-to-own, and AI music tools.&lt;br /&gt;
|Logo=Splice.svg}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[https://splice.com/ Splice]&#039;&#039;&#039; is an American cloud-based music creation platform founded in 2013 by Matt Aimonetti and Steve Martocci.&amp;lt;ref name=&amp;quot;wikipedia&amp;quot;&amp;gt;{{cite web |title=Splice (platform) |url=https://en.wikipedia.org/wiki/Splice_(platform) |website=Wikipedia |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Its primary service, Splice Sounds, is a subscription-based marketplace offering royalty-free audio samples, loops, and presets for music producers. The platform also operates a rent-to-own scheme for music software plugins and previously offered a free cloud-based collaboration feature called Studio. Splice has raised over $150 million in venture capital funding and was valued at approximately $500 million as of 2021.&amp;lt;ref name=&amp;quot;wikipedia-funding&amp;quot;&amp;gt;{{cite web |title=Splice (platform) |url=https://en.wikipedia.org/wiki/Splice_(platform) |website=Wikipedia |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Splice has attracted criticism for several anti-consumer practices, including a subscription-locked credit system that causes users to forfeit accumulated paid credits upon cancellation, an internet-dependent [[digital rights management|digital-rights management (DRM)]] requirement on rented plugins, the abrupt discontinuation of its founding collaboration feature, and the use of a [[DMCA|Digital Millennium Copyright Act (DMCA)]] copyright strike to suppress a consumer-facing review of its own terms of service.&lt;br /&gt;
&lt;br /&gt;
==Consumer impact summary==&lt;br /&gt;
&lt;br /&gt;
===Credit forfeiture upon subscription cancellation===&lt;br /&gt;
&lt;br /&gt;
Splice Sounds subscriptions grant users a monthly allocation of credits, which are spent to download individual audio samples. According to Splice&#039;s own support documentation, unused credits expire 28 days after the end of a subscriber&#039;s final billing period.&amp;lt;ref name=&amp;quot;splice-cancel-credits&amp;quot;&amp;gt;{{cite web |title=If I cancel my subscription, do I lose my samples and credits? |url=https://support.splice.com/en/articles/8652638-if-i-cancel-my-subscription-do-i-lose-my-samples-and-credits |website=Splice Help Center |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Users who have accumulated large credit balances over months or years of paid subscription therefore face a choice between continuing to pay indefinitely or forfeiting the monetary value of those accumulated credits.&lt;br /&gt;
&lt;br /&gt;
This issue has generated a substantial volume of consumer complaints. The [[Better Business Bureau|Better Business Bureau (BBB)]] has documented multiple complaints from users who reported losing significant credit balances upon cancellation or after financial hardship prevented timely payment.&amp;lt;ref name=&amp;quot;bbb&amp;quot;&amp;gt;{{cite web |title=Splice complaints |url=https://www.bbb.org/us/ny/new-york/profile/music-distribution-companies/splice-0121-170420/complaints |website=Better Business Bureau |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; One documented complaint describes a user whose account was cancelled after two months of missed payments due to job loss, resulting in the complete loss of their credit balance as well as access to previously rented software plugins.&amp;lt;ref name=&amp;quot;bbb&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Splice&#039;s terms of service state that virtual items and in-app consumables are &amp;quot;final and non-refundable&amp;quot;, and that users &amp;quot;will not receive any refund or compensation for unused Virtual Items&amp;quot; when their account is suspended or terminated for any reason.&amp;lt;ref name=&amp;quot;splice-tos&amp;quot;&amp;gt;{{cite web |title=Terms of Use |url=https://splice.com/terms |website=Splice |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Rent-to-own plugin DRM and internet dependency===&lt;br /&gt;
&lt;br /&gt;
Splice offers a rent-to-own (RTO) scheme for music production software plugins, under which users pay a recurring monthly fee until the full purchase price of a plugin is reached. However, until full payment is made, plugins licensed through this scheme require an active internet connection and a running Splice desktop client to function.&lt;br /&gt;
&lt;br /&gt;
The Splice client deposits a temporary licence file on the user&#039;s computer, which the plugin reads to verify the licence. This file expires if the Splice client is not run and authenticated approximately every three days.&amp;lt;ref name=&amp;quot;xfer-forum&amp;quot;&amp;gt;{{cite web |title=Help!! Rent-To-Own Issues |url=https://xferrecords.com/forums/general/help-rent-to-own-issues |website=XferRecords.com Forums |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Users have reported plugin failures at live performances and recording sessions due to expired licence files or connectivity issues.&amp;lt;ref name=&amp;quot;xfer-forum&amp;quot; /&amp;gt; The internet dependency is removed only once the plugin&#039;s full purchase price has been paid in its entirety.&lt;br /&gt;
&lt;br /&gt;
After cancelling a subscription, users also lose the ability to load new tracks using premium Splice Instrument presets, and cannot re-download that content if it is deleted from their system.&amp;lt;ref name=&amp;quot;splice-cancel-plan&amp;quot;&amp;gt;{{cite web |title=How do I cancel my Splice plan? |url=https://support.splice.com/en/articles/8652611-how-do-i-cancel-my-splice-plan |website=Splice Help Center |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Discontinuation of Splice Studio===&lt;br /&gt;
&lt;br /&gt;
When Splice launched in 2013–2014, its central offering was Studio, a free cloud-based collaboration and project backup tool that integrated with popular [[digital audio workstation|digital audio workstation (DAW)]] software including Ableton Live, Logic Pro X, FL Studio, GarageBand, and Studio One. Users relied on Studio to maintain version histories of projects, share files with collaborators, and keep cloud backups of their work.&lt;br /&gt;
&lt;br /&gt;
In March 2023, CEO Kakul Srivastava announced that Studio would be shut down, stating that &amp;quot;this feature hasn&#039;t been a focus for us since 2017.&amp;quot;&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot;&amp;gt;{{cite web |last=Srivastava |first=Kakul |title=Our journey to make Splice better: A letter from our CEO |url=https://splice.com/blog/studio-shutdown/ |website=Splice Blog |date=2023-03-09 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; The feature was closed in stages, with final removal of project sync occurring in June 2023, giving users approximately two to three months to retrieve stored project files.&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot; /&amp;gt; No data export tooling or migration support was provided.&lt;br /&gt;
&lt;br /&gt;
Srivastava stated that &amp;quot;keeping it functional has actually slowed us down from delivering more value, faster.&amp;quot;&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot; /&amp;gt; The platform subsequently directed development resources toward the Splice Sounds marketplace and the rent-to-own plugin business, both of which generate subscription revenue, unlike the free Studio feature. Community responses described the situation as a loss of stored creative work, with users who had built long-term collaborative workflows around Studio left without access to their archived projects after the shutdown.&amp;lt;ref name=&amp;quot;syncmuse&amp;quot;&amp;gt;{{cite web |title=Splice Studio Alternative |url=https://syncmuse.co/splice-studio-alternative |website=SyncMuse |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===DMCA copyright strike against terms-of-service reviewer===&lt;br /&gt;
&lt;br /&gt;
In July 2024, entertainment attorney Miss Krystle, who operates the &#039;&#039;Top Music Attorney&#039;&#039; YouTube channel, published a video analysing Splice&#039;s terms of service as part of an ongoing series reviewing the contracts of music industry platforms.&amp;lt;ref name=&amp;quot;techdirt&amp;quot;&amp;gt;{{cite web |last=Geigner |first=Timothy |title=Sample Library Company Copyright Strikes YouTuber Over Showing Their ToS |url=https://www.techdirt.com/2024/07/18/sample-library-company-copyright-strikes-youtuber-over-showing-their-tos/ |website=Techdirt |date=2024-07-18 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Following the publication, Splice&#039;s legal department issued a cease-and-desist letter. Miss Krystle participated in a telephone call with Splice&#039;s legal team, which she stated concluded with Splice agreeing to update its terms to address the issues she had identified.&amp;lt;ref name=&amp;quot;techdirt&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The following day, her YouTube channel received a DMCA copyright strike from Splice, asserting that her on-screen display of Splice&#039;s own terms of service text constituted copyright infringement.&amp;lt;ref name=&amp;quot;techdirt&amp;quot; /&amp;gt; A YouTube channel receives a permanent ban upon accumulating three copyright strikes within 90 days.&lt;br /&gt;
&lt;br /&gt;
The incident received coverage from Techdirt and MusicTech, among other outlets.&amp;lt;ref name=&amp;quot;techdirt&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;musictech&amp;quot;&amp;gt;{{cite web |title=Splice responds to Top Music Attorney copyright strike: &amp;quot;We fundamentally support the rights of creators to express themselves&amp;quot; |url=https://musictech.com/news/music/splice-issues-copyright-strike-to-content-creator-internet-reacts |website=MusicTech |date=2024-07-17 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Consumer rights advocate Louis Rossmann also covered the event.&amp;lt;ref name=&amp;quot;rossmann&amp;quot;&amp;gt;{{cite web |title=Louis Rossmann Reacted To My Copyright Strike From Splice |url=https://management7.podbean.com/e/louis-rossmann-reacted-to-my-copyright-strike-from-splice |website=Top Music Attorney Podcast |date=2024-08-02 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Splice subsequently removed the copyright strike and issued a statement that it &amp;quot;fundamentally supports the rights of creators to express themselves.&amp;quot;&amp;lt;ref name=&amp;quot;musictech&amp;quot; /&amp;gt; The incident drew additional public scrutiny to Splice&#039;s contractual terms, including provisions on credit retention upon account termination and the scope of rights users grant to Splice over their own uploaded audio content.&lt;br /&gt;
&lt;br /&gt;
===&amp;quot;Sounds are licensed, not sold&amp;quot;===&lt;br /&gt;
&lt;br /&gt;
Splice&#039;s terms of service explicitly state that &amp;quot;sounds are licensed, not sold, to you.&amp;quot;&amp;lt;ref name=&amp;quot;splice-tos&amp;quot; /&amp;gt; While Splice grants users a perpetual right to use downloaded sounds within completed musical works, the licence is non-exclusive and non-transferable. The app licence itself is described in Splice&#039;s terms as &amp;quot;limited, non-exclusive, non-transferable, non-sublicensable, [and] revocable.&amp;quot;&amp;lt;ref name=&amp;quot;splice-tos&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The terms additionally allow Splice to &amp;quot;manage, regulate, change, or remove Virtual Items at any time at our sole discretion,&amp;quot; and grant Splice the unilateral right to assign these terms without user consent.&amp;lt;ref name=&amp;quot;splice-tos&amp;quot; /&amp;gt; This structure means users hold no ownership over the credits or digital goods they purchase, and limits their recourse in the event that Splice alters terms, removes content, or terminates accounts.&lt;br /&gt;
&lt;br /&gt;
===Automatic subscription renewals and cancellation difficulties===&lt;br /&gt;
&lt;br /&gt;
The BBB has documented multiple complaints involving [[Negative option marketing|automatic billing following free trial periods]], with users stating they did not receive clear notification of the transition to a paid subscription.&amp;lt;ref name=&amp;quot;bbb&amp;quot; /&amp;gt; Several complaints describe difficulty cancelling due to inconsistent account states across devices, where the web interface and desktop application displayed conflicting subscription information simultaneously.&amp;lt;ref name=&amp;quot;bbb&amp;quot; /&amp;gt; Splice does not offer telephone support for billing disputes.&amp;lt;ref name=&amp;quot;donotpay&amp;quot;&amp;gt;{{cite web |title=How to Cancel Splice Subscription |url=https://donotpay.com/learn/how-to-cancel-splice-subscription/ |website=DoNotPay |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
&lt;br /&gt;
*[[Enshittification]]&lt;br /&gt;
*[[Dark pattern]]&lt;br /&gt;
*[[Digital rights management]]&lt;br /&gt;
*[[Negative option marketing]]&lt;br /&gt;
*[[Click-to-cancel]]&lt;br /&gt;
*[[End-user license agreement]]&lt;br /&gt;
*[[DMCA]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Companies]]&lt;br /&gt;
[[Category:Digital Rights Management]]&lt;br /&gt;
[[Category:Enshittification]]&lt;/div&gt;</summary>
		<author><name>Koji</name></author>
	</entry>
	<entry>
		<id>https://consumerrights.wiki/index.php?title=Splice&amp;diff=53793</id>
		<title>Splice</title>
		<link rel="alternate" type="text/html" href="https://consumerrights.wiki/index.php?title=Splice&amp;diff=53793"/>
		<updated>2026-05-16T18:47:01Z</updated>

		<summary type="html">&lt;p&gt;Koji: Improving formatting, references, and fixing broken links&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CompanyCargo&lt;br /&gt;
|Founded=2013&lt;br /&gt;
|Industry=Music technology, Software, Digital media&lt;br /&gt;
|Type=Private&lt;br /&gt;
|Website=https://splice.com/&lt;br /&gt;
|Description=Cloud-based music creation platform offering a subscription sample library, plugin rent-to-own, and AI music tools.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[https://splice.com/ Splice]&#039;&#039;&#039; is an American cloud-based music creation platform founded in 2013 by Matt Aimonetti and Steve Martocci.&amp;lt;ref name=&amp;quot;wikipedia&amp;quot;&amp;gt;{{cite web |title=Splice (platform) |url=https://en.wikipedia.org/wiki/Splice_(platform) |website=Wikipedia |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Its primary service, Splice Sounds, is a subscription-based marketplace offering royalty-free audio samples, loops, and presets for music producers. The platform also operates a rent-to-own scheme for music software plugins and previously offered a free cloud-based collaboration feature called Studio. Splice has raised over $150 million in venture capital funding and was valued at approximately $500 million as of 2021.&amp;lt;ref name=&amp;quot;wikipedia-funding&amp;quot;&amp;gt;{{cite web |title=Splice (platform) |url=https://en.wikipedia.org/wiki/Splice_(platform) |website=Wikipedia |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Splice has attracted criticism for several anti-consumer practices, including a subscription-locked credit system that causes users to forfeit accumulated paid credits upon cancellation, an internet-dependent [[digital rights management|digital-rights management (DRM)]] requirement on rented plugins, the abrupt discontinuation of its founding collaboration feature, and the use of a [[DMCA|Digital Millennium Copyright Act (DMCA)]] copyright strike to suppress a consumer-facing review of its own terms of service.&lt;br /&gt;
&lt;br /&gt;
== Consumer impact summary ==&lt;br /&gt;
&lt;br /&gt;
=== Credit forfeiture upon subscription cancellation ===&lt;br /&gt;
&lt;br /&gt;
Splice Sounds subscriptions grant users a monthly allocation of credits, which are spent to download individual audio samples. According to Splice&#039;s own support documentation, unused credits expire 28 days after the end of a subscriber&#039;s final billing period.&amp;lt;ref name=&amp;quot;splice-cancel-credits&amp;quot;&amp;gt;{{cite web |title=If I cancel my subscription, do I lose my samples and credits? |url=https://support.splice.com/en/articles/8652638-if-i-cancel-my-subscription-do-i-lose-my-samples-and-credits |website=Splice Help Center |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Users who have accumulated large credit balances over months or years of paid subscription therefore face a choice between continuing to pay indefinitely or forfeiting the monetary value of those accumulated credits.&lt;br /&gt;
&lt;br /&gt;
This issue has generated a substantial volume of consumer complaints. The [[Better Business Bureau|Better Business Bureau (BBB)]] has documented multiple complaints from users who reported losing significant credit balances upon cancellation or after financial hardship prevented timely payment.&amp;lt;ref name=&amp;quot;bbb&amp;quot;&amp;gt;{{cite web |title=Splice complaints |url=https://www.bbb.org/us/ny/new-york/profile/music-distribution-companies/splice-0121-170420/complaints |website=Better Business Bureau |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; One documented complaint describes a user whose account was cancelled after two months of missed payments due to job loss, resulting in the complete loss of their credit balance as well as access to previously rented software plugins.&amp;lt;ref name=&amp;quot;bbb&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Splice&#039;s terms of service state that virtual items and in-app consumables are &amp;quot;final and non-refundable&amp;quot;, and that users &amp;quot;will not receive any refund or compensation for unused Virtual Items&amp;quot; when their account is suspended or terminated for any reason.&amp;lt;ref name=&amp;quot;splice-tos&amp;quot;&amp;gt;{{cite web |title=Terms of Use |url=https://splice.com/terms |website=Splice |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Rent-to-own plugin DRM and internet dependency ===&lt;br /&gt;
&lt;br /&gt;
Splice offers a rent-to-own (RTO) scheme for music production software plugins, under which users pay a recurring monthly fee until the full purchase price of a plugin is reached. However, until full payment is made, plugins licensed through this scheme require an active internet connection and a running Splice desktop client to function.&lt;br /&gt;
&lt;br /&gt;
The Splice client deposits a temporary licence file on the user&#039;s computer, which the plugin reads to verify the licence. This file expires if the Splice client is not run and authenticated approximately every three days.&amp;lt;ref name=&amp;quot;xfer-forum&amp;quot;&amp;gt;{{cite web |title=Help!! Rent-To-Own Issues |url=https://xferrecords.com/forums/general/help-rent-to-own-issues |website=XferRecords.com Forums |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Users have reported plugin failures at live performances and recording sessions due to expired licence files or connectivity issues.&amp;lt;ref name=&amp;quot;xfer-forum&amp;quot; /&amp;gt; The internet dependency is removed only once the plugin&#039;s full purchase price has been paid in its entirety.&lt;br /&gt;
&lt;br /&gt;
After cancelling a subscription, users also lose the ability to load new tracks using premium Splice Instrument presets, and cannot re-download that content if it is deleted from their system.&amp;lt;ref name=&amp;quot;splice-cancel-plan&amp;quot;&amp;gt;{{cite web |title=How do I cancel my Splice plan? |url=https://support.splice.com/en/articles/8652611-how-do-i-cancel-my-splice-plan |website=Splice Help Center |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Discontinuation of Splice Studio ===&lt;br /&gt;
&lt;br /&gt;
When Splice launched in 2013–2014, its central offering was Studio, a free cloud-based collaboration and project backup tool that integrated with popular [[digital audio workstation|digital audio workstation (DAW)]] software including Ableton Live, Logic Pro X, FL Studio, GarageBand, and Studio One. Users relied on Studio to maintain version histories of projects, share files with collaborators, and keep cloud backups of their work.&lt;br /&gt;
&lt;br /&gt;
In March 2023, CEO Kakul Srivastava announced that Studio would be shut down, stating that &amp;quot;this feature hasn&#039;t been a focus for us since 2017.&amp;quot;&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot;&amp;gt;{{cite web |last=Srivastava |first=Kakul |title=Our journey to make Splice better: A letter from our CEO |url=https://splice.com/blog/studio-shutdown/ |website=Splice Blog |date=2023-03-09 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; The feature was closed in stages, with final removal of project sync occurring in June 2023, giving users approximately two to three months to retrieve stored project files.&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot; /&amp;gt; No data export tooling or migration support was provided.&lt;br /&gt;
&lt;br /&gt;
Srivastava stated that &amp;quot;keeping it functional has actually slowed us down from delivering more value, faster.&amp;quot;&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot; /&amp;gt; The platform subsequently directed development resources toward the Splice Sounds marketplace and the rent-to-own plugin business, both of which generate subscription revenue, unlike the free Studio feature. Community responses described the situation as a loss of stored creative work, with users who had built long-term collaborative workflows around Studio left without access to their archived projects after the shutdown.&amp;lt;ref name=&amp;quot;syncmuse&amp;quot;&amp;gt;{{cite web |title=Splice Studio Alternative |url=https://syncmuse.co/splice-studio-alternative |website=SyncMuse |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== DMCA copyright strike against terms-of-service reviewer ===&lt;br /&gt;
&lt;br /&gt;
In July 2024, entertainment attorney Miss Krystle, who operates the &#039;&#039;Top Music Attorney&#039;&#039; YouTube channel, published a video analysing Splice&#039;s terms of service as part of an ongoing series reviewing the contracts of music industry platforms.&amp;lt;ref name=&amp;quot;techdirt&amp;quot;&amp;gt;{{cite web |last=Geigner |first=Timothy |title=Sample Library Company Copyright Strikes YouTuber Over Showing Their ToS |url=https://www.techdirt.com/2024/07/18/sample-library-company-copyright-strikes-youtuber-over-showing-their-tos/ |website=Techdirt |date=2024-07-18 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Following the publication, Splice&#039;s legal department issued a cease-and-desist letter. Miss Krystle participated in a telephone call with Splice&#039;s legal team, which she stated concluded with Splice agreeing to update its terms to address the issues she had identified.&amp;lt;ref name=&amp;quot;techdirt&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The following day, her YouTube channel received a DMCA copyright strike from Splice, asserting that her on-screen display of Splice&#039;s own terms of service text constituted copyright infringement.&amp;lt;ref name=&amp;quot;techdirt&amp;quot; /&amp;gt; A YouTube channel receives a permanent ban upon accumulating three copyright strikes within 90 days.&lt;br /&gt;
&lt;br /&gt;
The incident received coverage from Techdirt and MusicTech, among other outlets.&amp;lt;ref name=&amp;quot;techdirt&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;musictech&amp;quot;&amp;gt;{{cite web |title=Splice responds to Top Music Attorney copyright strike: &amp;quot;We fundamentally support the rights of creators to express themselves&amp;quot; |url=https://musictech.com/news/music/splice-issues-copyright-strike-to-content-creator-internet-reacts |website=MusicTech |date=2024-07-17 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Consumer rights advocate Louis Rossmann also covered the event.&amp;lt;ref name=&amp;quot;rossmann&amp;quot;&amp;gt;{{cite web |title=Louis Rossmann Reacted To My Copyright Strike From Splice |url=https://management7.podbean.com/e/louis-rossmann-reacted-to-my-copyright-strike-from-splice |website=Top Music Attorney Podcast |date=2024-08-02 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Splice subsequently removed the copyright strike and issued a statement that it &amp;quot;fundamentally supports the rights of creators to express themselves.&amp;quot;&amp;lt;ref name=&amp;quot;musictech&amp;quot; /&amp;gt; The incident drew additional public scrutiny to Splice&#039;s contractual terms, including provisions on credit retention upon account termination and the scope of rights users grant to Splice over their own uploaded audio content.&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Sounds are licensed, not sold&amp;quot; ===&lt;br /&gt;
&lt;br /&gt;
Splice&#039;s terms of service explicitly state that &amp;quot;sounds are licensed, not sold, to you.&amp;quot;&amp;lt;ref name=&amp;quot;splice-tos&amp;quot; /&amp;gt; While Splice grants users a perpetual right to use downloaded sounds within completed musical works, the licence is non-exclusive and non-transferable. The app licence itself is described in Splice&#039;s terms as &amp;quot;limited, non-exclusive, non-transferable, non-sublicensable, [and] revocable.&amp;quot;&amp;lt;ref name=&amp;quot;splice-tos&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The terms additionally allow Splice to &amp;quot;manage, regulate, change, or remove Virtual Items at any time at our sole discretion,&amp;quot; and grant Splice the unilateral right to assign these terms without user consent.&amp;lt;ref name=&amp;quot;splice-tos&amp;quot; /&amp;gt; This structure means users hold no ownership over the credits or digital goods they purchase, and limits their recourse in the event that Splice alters terms, removes content, or terminates accounts.&lt;br /&gt;
&lt;br /&gt;
=== Automatic subscription renewals and cancellation difficulties ===&lt;br /&gt;
&lt;br /&gt;
The BBB has documented multiple complaints involving automatic billing following free trial periods, with users stating they did not receive clear notification of the transition to a paid subscription.&amp;lt;ref name=&amp;quot;bbb&amp;quot; /&amp;gt; Several complaints describe difficulty cancelling due to inconsistent account states across devices, where the web interface and desktop application displayed conflicting subscription information simultaneously.&amp;lt;ref name=&amp;quot;bbb&amp;quot; /&amp;gt; Splice does not offer telephone support for billing disputes.&amp;lt;ref name=&amp;quot;donotpay&amp;quot;&amp;gt;{{cite web |title=How to Cancel Splice Subscription |url=https://donotpay.com/learn/how-to-cancel-splice-subscription/ |website=DoNotPay |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
&lt;br /&gt;
* [[Enshittification]]&lt;br /&gt;
* [[Dark pattern]]&lt;br /&gt;
* [[Digital rights management]]&lt;br /&gt;
* [[Subscription trap]]&lt;br /&gt;
* [[Click-to-cancel]]&lt;br /&gt;
* [[End-user license agreement]]&lt;br /&gt;
* [[DMCA]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Companies]]&lt;br /&gt;
[[Category:Digital Rights Management]]&lt;br /&gt;
[[Category:Enshittification]]&lt;/div&gt;</summary>
		<author><name>Koji</name></author>
	</entry>
	<entry>
		<id>https://consumerrights.wiki/index.php?title=Splice&amp;diff=53792</id>
		<title>Splice</title>
		<link rel="alternate" type="text/html" href="https://consumerrights.wiki/index.php?title=Splice&amp;diff=53792"/>
		<updated>2026-05-16T18:40:36Z</updated>

		<summary type="html">&lt;p&gt;Koji: Create article documenting Splice&amp;#039;s anti-consumer practices: credit forfeiture, plugin DRM, Studio shutdown, DMCA strike&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CompanyCargo&lt;br /&gt;
|Founded=2013&lt;br /&gt;
|Industry=Music technology, Software, Digital media&lt;br /&gt;
|Type=Private&lt;br /&gt;
|Website=https://splice.com/&lt;br /&gt;
|Description=Cloud-based music creation platform offering a subscription sample library, plugin rent-to-own, and AI music tools.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[https://splice.com/ Splice]&#039;&#039;&#039; is an American cloud-based music creation platform founded in 2013 by Matt Aimonetti and Steve Martocci.&amp;lt;ref name=&amp;quot;wikipedia&amp;quot;&amp;gt;{{cite web |title=Splice (platform) |url=https://en.wikipedia.org/wiki/Splice_(platform) |website=Wikipedia |access-date=2026-05-16}}&amp;lt;/ref&amp;gt; Its primary service, Splice Sounds, is a subscription-based marketplace offering royalty-free audio samples, loops, and presets for music producers. The platform also operates a rent-to-own scheme for music software plugins and previously offered a free cloud-based collaboration feature called Studio. Splice has raised over $150 million in venture capital funding and was valued at approximately $500 million as of 2021.&amp;lt;ref name=&amp;quot;wikipedia-funding&amp;quot;&amp;gt;{{cite web |title=Splice (platform) |url=https://en.wikipedia.org/wiki/Splice_(platform) |website=Wikipedia |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Splice has attracted criticism for several anti-consumer practices, including a subscription-locked credit system that causes users to forfeit accumulated paid credits upon cancellation, an internet-dependent [[digital rights management|digital-rights management (DRM)]] requirement on rented plugins, the abrupt discontinuation of its founding collaboration feature, and the use of a [[DMCA|Digital Millennium Copyright Act (DMCA)]] copyright strike to suppress a consumer-facing review of its own terms of service.&lt;br /&gt;
&lt;br /&gt;
== Consumer impact summary ==&lt;br /&gt;
&lt;br /&gt;
=== Credit forfeiture upon subscription cancellation ===&lt;br /&gt;
&lt;br /&gt;
Splice Sounds subscriptions grant users a monthly allocation of credits, which are spent to download individual audio samples. According to Splice&#039;s own support documentation, unused credits expire 28 days after the end of a subscriber&#039;s final billing period.[[3]] Users who have accumulated large credit balances over months or years of paid subscription therefore face a choice between continuing to pay indefinitely or forfeiting the monetary value of those accumulated credits.&lt;br /&gt;
&lt;br /&gt;
This issue has generated a substantial volume of consumer complaints. The [[Better Business Bureau|Better Business Bureau (BBB)]] has documented multiple complaints from users who reported losing significant credit balances upon cancellation or after financial hardship prevented timely payment.[[4]] One documented complaint describes a user whose account was cancelled after two months of missed payments due to job loss, resulting in the complete loss of their credit balance as well as access to previously rented software plugins.[[4]]&lt;br /&gt;
&lt;br /&gt;
Splice&#039;s terms of service state that virtual items and in-app consumables are &amp;quot;final and non-refundable&amp;quot;, and that users &amp;quot;will not receive any refund or compensation for unused Virtual Items&amp;quot; when their account is suspended or terminated for any reason.[[5]]&lt;br /&gt;
&lt;br /&gt;
=== Rent-to-own plugin DRM and internet dependency ===&lt;br /&gt;
&lt;br /&gt;
Splice offers a rent-to-own (RTO) scheme for music production software plugins, under which users pay a recurring monthly fee until the full purchase price of a plugin is reached. However, until full payment is made, plugins licensed through this scheme require an active internet connection and a running Splice desktop client to function.&lt;br /&gt;
&lt;br /&gt;
The Splice client deposits a temporary licence file on the user&#039;s computer, which the plugin reads to verify the licence. This file expires if the Splice client is not run and authenticated approximately every three days.[[6]] Users have reported plugin failures at live performances and recording sessions due to expired licence files or connectivity issues.[[6]] The internet dependency is removed only once the plugin&#039;s full purchase price has been paid in its entirety.&lt;br /&gt;
&lt;br /&gt;
After cancelling a subscription, users also lose the ability to load new tracks using premium Splice Instrument presets, and cannot re-download that content if it is deleted from their system.[[7]]&lt;br /&gt;
&lt;br /&gt;
=== Discontinuation of Splice Studio ===&lt;br /&gt;
&lt;br /&gt;
When Splice launched in 2013–2014, its central offering was Studio, a free cloud-based collaboration and project backup tool that integrated with popular [[digital audio workstation|digital audio workstation (DAW)]] software including Ableton Live, Logic Pro X, FL Studio, GarageBand, and Studio One. Users relied on Studio to maintain version histories of projects, share files with collaborators, and keep cloud backups of their work.&lt;br /&gt;
&lt;br /&gt;
In March 2023, CEO Kakul Srivastava announced that Studio would be shut down, stating that &amp;quot;this feature hasn&#039;t been a focus for us since 2017.&amp;quot;[[8]] The feature was closed in stages, with final removal of project sync occurring in June 2023, giving users approximately two to three months to retrieve stored project files.[[8]] No data export tooling or migration support was provided.&lt;br /&gt;
&lt;br /&gt;
Srivastava stated that &amp;quot;keeping it functional has actually slowed us down from delivering more value, faster.&amp;quot;[[8]] The platform subsequently directed development resources toward the Splice Sounds marketplace and the rent-to-own plugin business, both of which generate subscription revenue, unlike the free Studio feature. Community responses described the situation as a loss of stored creative work, with users who had built long-term collaborative workflows around Studio left without access to their archived projects after the shutdown.[[9]]&lt;br /&gt;
&lt;br /&gt;
=== DMCA copyright strike against terms-of-service reviewer ===&lt;br /&gt;
&lt;br /&gt;
In July 2024, entertainment attorney Miss Krystle, who operates the &#039;&#039;Top Music Attorney&#039;&#039; YouTube channel, published a video analysing Splice&#039;s terms of service as part of an ongoing series reviewing the contracts of music industry platforms.[[10]] Following the publication, Splice&#039;s legal department issued a cease-and-desist letter. Miss Krystle participated in a telephone call with Splice&#039;s legal team, which she stated concluded with Splice agreeing to update its terms to address the issues she had identified.[[10]]&lt;br /&gt;
&lt;br /&gt;
The following day, her YouTube channel received a DMCA copyright strike from Splice, asserting that her on-screen display of Splice&#039;s own terms of service text constituted copyright infringement.[[10]] A YouTube channel receives a permanent ban upon accumulating three copyright strikes within 90 days.&lt;br /&gt;
&lt;br /&gt;
The incident received coverage from Techdirt and MusicTech, among other outlets.[[10]][[11]] Consumer rights advocate Louis Rossmann also covered the event.[[12]] Splice subsequently removed the copyright strike and issued a statement that it &amp;quot;fundamentally supports the rights of creators to express themselves.&amp;quot;[[11]] The incident drew additional public scrutiny to Splice&#039;s contractual terms, including provisions on credit retention upon account termination and the scope of rights users grant to Splice over their own uploaded audio content.&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Sounds are licensed, not sold&amp;quot; ===&lt;br /&gt;
&lt;br /&gt;
Splice&#039;s terms of service explicitly state that &amp;quot;sounds are licensed, not sold, to you.&amp;quot;[[5]] While Splice grants users a perpetual right to use downloaded sounds within completed musical works, the licence is non-exclusive and non-transferable. The app licence itself is described in Splice&#039;s terms as &amp;quot;limited, non-exclusive, non-transferable, non-sublicensable, [and] revocable.&amp;quot;[[5]]&lt;br /&gt;
&lt;br /&gt;
The terms additionally allow Splice to &amp;quot;manage, regulate, change, or remove Virtual Items at any time at our sole discretion,&amp;quot; and grant Splice the unilateral right to assign these terms without user consent.[[5]] This structure means users hold no ownership over the credits or digital goods they purchase, and limits their recourse in the event that Splice alters terms, removes content, or terminates accounts.&lt;br /&gt;
&lt;br /&gt;
=== Automatic subscription renewals and cancellation difficulties ===&lt;br /&gt;
&lt;br /&gt;
The BBB has documented multiple complaints involving automatic billing following free trial periods, with users stating they did not receive clear notification of the transition to a paid subscription.[[4]] Several complaints describe difficulty cancelling due to inconsistent account states across devices, where the web interface and desktop application displayed conflicting subscription information simultaneously.[[4]] Splice does not offer telephone support for billing disputes.[[13]]&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
&lt;br /&gt;
* [[Enshittification]]&lt;br /&gt;
* [[Dark pattern]]&lt;br /&gt;
* [[Digital rights management]]&lt;br /&gt;
* [[Subscription trap]]&lt;br /&gt;
* [[Click-to-cancel]]&lt;br /&gt;
* [[End-user license agreement]]&lt;br /&gt;
* [[DMCA]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
{{reflist|refs=&lt;br /&gt;
&amp;lt;ref name=&amp;quot;splice-cancel-credits&amp;quot;&amp;gt;{{cite web |title=If I cancel my subscription, do I lose my samples and credits? |url=https://support.splice.com/en/articles/8652638-if-i-cancel-my-subscription-do-i-lose-my-samples-and-credits |website=Splice Help Center |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;bbb&amp;quot;&amp;gt;{{cite web |title=Splice complaints |url=https://www.bbb.org/us/ny/new-york/profile/music-distribution-companies/splice-0121-170420/complaints |website=Better Business Bureau |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;splice-tos&amp;quot;&amp;gt;{{cite web |title=Terms of Use |url=https://splice.com/terms |website=Splice |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;xfer-forum&amp;quot;&amp;gt;{{cite web |title=Help!! Rent-To-Own Issues |url=https://xferrecords.com/forums/general/help-rent-to-own-issues |website=XferRecords.com Forums |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;splice-cancel-plan&amp;quot;&amp;gt;{{cite web |title=How do I cancel my Splice plan? |url=https://support.splice.com/en/articles/8652611-how-do-i-cancel-my-splice-plan |website=Splice Help Center |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;splice-studio-shutdown&amp;quot;&amp;gt;{{cite web |last=Srivastava |first=Kakul |title=Our journey to make Splice better: A letter from our CEO |url=https://splice.com/blog/studio-shutdown/ |website=Splice Blog |date=2023-03-09 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;syncmuse&amp;quot;&amp;gt;{{cite web |title=Splice Studio Alternative |url=https://syncmuse.co/splice-studio-alternative |website=SyncMuse |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;techdirt&amp;quot;&amp;gt;{{cite web |last=Geigner |first=Timothy |title=Sample Library Company Copyright Strikes YouTuber Over Showing Their ToS |url=https://www.techdirt.com/2024/07/18/sample-library-company-copyright-strikes-youtuber-over-showing-their-tos/ |website=Techdirt |date=2024-07-18 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;musictech&amp;quot;&amp;gt;{{cite web |title=Splice responds to Top Music Attorney copyright strike: &amp;quot;We fundamentally support the rights of creators to express themselves&amp;quot; |url=https://musictech.com/news/music/splice-issues-copyright-strike-to-content-creator-internet-reacts |website=MusicTech |date=2024-07-17 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;rossmann&amp;quot;&amp;gt;{{cite web |title=Louis Rossmann Reacted To My Copyright Strike From Splice |url=https://management7.podbean.com/e/louis-rossmann-reacted-to-my-copyright-strike-from-splice |website=Top Music Attorney Podcast |date=2024-08-02 |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=&amp;quot;donotpay&amp;quot;&amp;gt;{{cite web |title=How to Cancel Splice Subscription |url=https://donotpay.com/learn/how-to-cancel-splice-subscription/ |website=DoNotPay |access-date=2026-05-16}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Companies]]&lt;br /&gt;
[[Category:Digital Rights Management]]&lt;br /&gt;
[[Category:Enshittification]]&lt;/div&gt;</summary>
		<author><name>Koji</name></author>
	</entry>
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