Jump to content

Audible uses AI narration to dilute payments to Authors

From Consumer Rights Wiki
Revision as of 00:49, 31 August 2025 by Ceoofrock (talk | contribs) (Audible updates their royalty structure)
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)

🔧 Article status notice: This article heavily relies on AI/LLMs

This article has been marked because its heavy use of LLM generated text may affect its percieved or actual reliability and credibility.


To contact a moderator for removal of this notice once the article's issues have been resolved, please use either the Moderator's noticeboard, or the #appeals channel on our Discord server (Join using this link]) or use the talk pages on the wiki and leave a message to any of the moderators. List of current moderators.


Learn more ▼

⚠️ Article status notice: This Article's Relevance Is Under Review

This article has been flagged for questionable relevance. Its connection to the systemic consumer protection issues outlined in the Mission statement and Moderator Guidelines isn't clear.

If you believe this notice has been placed in error, or once you have made the required improvements, please visit the Moderators' noticeboard or the #appeals channel on our Discord server: Join Here.

Notice: This Article's Relevance Is Under Review

To justify the relevance of this article:

  • Provide evidence demonstrating how the issue reflects broader consumer exploitation (e.g., systemic patterns, recurring incidents, or related company policies).
  • Link the problem to modern forms of consumer protection concerns, such as privacy violations, barriers to repair, or ownership rights.

If you believe this notice has been placed in error, or once you have made the required improvements, please visit either the Moderator's noticeboard, or the #appeals channel on our Discord server: Join Here.

Audible is transitioning its audiobook marketplace from a traditional purchase model into a streaming service.[1][2][3][4] In August 2025, Audible has changed their royalty structure in such a way to subsidize this transition, by taking money consumers spend on audiobooks and distributing it across all the audiobooks the consumer listened to that month, regardless on whether or not the audiobook was purchased or streamed using Audible's streaming service.[3][5][6]

Background[edit | edit source]

Audible, founded in 1995, is the longstanding global market leader for purchasing and listening to audiobooks.[7] Since 2020, Audible has offered two plan-types to consumers: a premium plan that gives credits consumers can use to purchase audiobooks and a non-premium plan that allows consumers to stream an Audible-curated selection of audiobooks.[8] Common knowledge suggests if a credit is spent on an audiobook, the author and audible split that credit by some agreed upon percentage.[6] For an audiobook streamed through Audible, it is reasonable to expect the subscription price is split between all audiobooks listened to for the given month.

Consumer rights impact summary[edit | edit source]

Digital ownership erosion[edit | edit source]

Since 2020, Audible has been transitioning its marketplace from a traditional purchase model into a streaming service. In August 2025, Audible unveiled a new royalty structure to siphon money from credit purchases to subsidize their streaming library.[3][5]

Audible updates their royalty structure[edit | edit source]

In the past, if you wanted to purchase an audiobook on Audible, you purchased a credit and then used that credit to buy the audiobook you desired.[6] The understanding was the cut of the credit that went towards the author, only went to the author of the audiobook that was purchased. In August 2025, Audible unveiled a new royalty structure combining its credit-based sales with its streaming service, creating a system that indirectly pushes authors toward the streaming environment.[4][6][9] When a user purchases a book using a credit and also streams another title in the same month, the royalty pool from that single credit is split between both the purchased and streamed works.[5][6] While financially efficient for Audible, this structure dilutes the revenue earned per title and forces authors to subsidize the growth of Audible's streaming catalog.[1][5] Even if authors opt-out of the streaming catalog, they are not protected from the royalty split.[3][5] Audible has created a system that encourages the streaming catalog to be increasingly populated by works that can be produced cheaply or en masse, such as AI-generated content. Over time, this dynamic risks reducing the diversity and sustainability of high-quality content, narrowing consumer choice.

A petition at change.org has been made to convince Amazon to change this. https://www.change.org/p/convince-audible-to-revise-its-new-royalty-model?source_location=psf_petitions

Lawsuit over royalties[edit | edit source]

In June 2025, a federal judge allowed an antitrust lawsuit against Amazon/Audible to proceed.[10] The lawsuit, filed by independent author Christine DeMaio (CD Reiss), alleges Audible discriminates against authors who do not participate in its 90-day exclusivity program by offering higher royalties (40% vs. 25%), potentially violating antitrust laws. The court found sufficient grounds to move forward.

Consumer response[edit | edit source]

Authors and listeners alike have reacted strongly against the royalty structure change, pointing out the underhanded feel of the royalty distribution change and harm streaming has caused the artistic industries.[3][5]

One user expressed displeasure at the restructured royalties: [5]

I've been a plus user for years. Learning that how it's been restructured is actively harming the indie authors I discovered through this platform is disappointing. If you won't correct this then I'll have to take my business elsewhere.

Another user on the petition comments: [5]

I've been an Audible subscriber for years (at least 12... maybe more... I don't know). If I'm being honest, I've never given much thought to exactly how my Premium Plus membership is being divvied up, but I can tell you for sure, the proposed Audible breakdown is not how I would have guessed or expected it to be done.

The user hawaiianshirtwizzard9542 commenting on :[3]

When I spend money on a credit, I assumed the full value (or whatever agreed upon percentage of that credit) was going to that one author. Never in my life would I have expected that part of that credit would go to some pool of authors I wasn’t paying for. Audible thinks its users are stupid and I’ve had enough.

The user RariettyC said: [3]

God, the streaming/subscription model really is tearing through artistic industries. I feel like so much of the conversations I see are surrounding Netflix, Spotify, and other platforms’ devaluing movies, TV shows, music, and video games but every single artistic field seems to be shifting towards more power and profit going to conglomerates who control access rather than the actual creatives who created.

The user sacredwisp said: [3]

They're obviously doing this intentionally to get more people over to the new system, because it benefits them more long term.

Audible's response[edit | edit source]

Audible's messaging frames Virtual Voice as a creative and accessibility-enhancing tool.[7][4][9] The platform says it empowers authors to reach new audiences and monetize content more flexibly—including titles within Plus memberships and a la carte sales—with monthly insights and statements. In May 2025, Audible expanded AI offerings, allowing publishers to use AI narration via "Audible-managed" or "self-service" workflows, with human linguists available to improve translations.[4] The announcement emphasized ambitions to make "every book available in every language" while assuring human oversight for translations. Earlier, Amazon sent the beta invites via KDP, specifying authors could receive 40% royalties and have AI audiobooks added to the Plus catalog.[7]

References[edit | edit source]

  1. 1.0 1.1 Greene, Daniel (2025-08-25). "Nail in Audible's coffin". YouTube. Retrieved 25 Aug 2025.{{cite web}}: CS1 maint: url-status (link)
  2. Hartness, John (25 Aug 2025). "AUTHORS ASSEMBLE! Audible generative AI takeover | How this hurts Authors and Narrators". YouTube. Retrieved 25 Aug 2025.{{cite web}}: CS1 maint: url-status (link)
  3. 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 Greene, Daniel (12 Aug 2025). "Audible is Broken". YouTube. Retrieved 25 Aug 2025.{{cite web}}: CS1 maint: url-status (link)
  4. 4.0 4.1 4.2 4.3 "Learn more about audio books with virtual voice". Amazon. 25 Aug 2025. Archived from the original on 25 Aug 2025. Retrieved 25 Aug 2025.
  5. 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 Sullivan, Robin (8 August 2025). "Convince Audible to revise it's New Royalty Model". Change.org. Retrieved 26 Aug 2025.{{cite web}}: CS1 maint: url-status (link)
  6. 6.0 6.1 6.2 6.3 6.4 paigevoice (13 Aug 2025). "Audible's new royalty mess". YouTube. Retrieved 2025-08-25.{{cite web}}: CS1 maint: url-status (link)
  7. 7.0 7.1 7.2 Knight, Lucy (2025-05-13). "Audible unveils plans to use AI voices to narrate audio books". The Guardian. Retrieved 25 Aug 2025.{{cite web}}: CS1 maint: url-status (link)
  8. Audible's Newsroom (24 Aug 2020). "All-You-Can-Listen Membership Option, Audible Plus, Rolls Out in Preview". Audible. Retrieved 26 Aug 2025. {{cite web}}: |last= has generic name (help)CS1 maint: url-status (link)
  9. 9.0 9.1 "Audible's New Royalty Model: More Opportunities for Authors and Publishers". Audible. 2024-07-11. Archived from the original on 11 Jul 2024. Retrieved 25 Aug 2025.
  10. Scarcella, Mike (2025-06-20). "Amazon must face authors' lawsuit over audiobook distribution, US judge rules". Reuters. Retrieved 25 Aug 2025.{{cite web}}: CS1 maint: url-status (link)